Potted history: I’ve been teaching piano and theory up to Grade 8 (and beyond), composition, orchestration, songwriting and music technology here in Bristol for about 9 years.
I'm from Dublin, and started writing songs and pieces when I was about 12. I've played piano, bass and sang in many bands and chamber ensembles for most of my life. My own band is The Evening Watch, just a solo venture these days, but very important to me. As a composer I've written for various choirs and ensembles, and I also write and arrange pieces for my current choir in Bristol, The Blue Sky Singers, which I helped co-found in 2018; we’ve sung all around the city in venues such as St George’s, The Mount Without and the Bristol Museum.
I’m very interested in film music and watch a ton of films myself, and I’ve worked with a few filmmakers and theatre producers over the years, the high point of which was Mechanimal’s Vigil (which was at the Bristol Old Vic and the Edinburgh Fringe in 2019). I enjoy scoring for film, but I experienced the networking side of the industry quite tiring as I find ‘selling’ myself difficult. Plus I’m a huge introvert. Hence my training as a therapist! Yet I still love music, and teaching, they’re both very much in my blood, and I can’t envisage my life without them.
Since my time in Bristol I also got quite involved in experimental, improvised music. I had a band/solo project called SALTINGS and played most of the smaller, edgier Bristol venues between 2015-20 and a few festivals (including Supernormal in Oxfordshire). I even co-organised my own festival for two years, The Bristol Hum, at the Surrey Vaults. It was all great times, and really informed how I compose, but those gigging days are probably behind me now, bar a very occasional public outing. It all really helped me to come out of my shell more after moving to Bristol from a different city and dealing with the challenges of trying to kickstart my life.